Loop name
https://surgesounds.b-cdn.net/Friends.mp3


How do you turn everyday voice recordings into hit electronic songs? The answer lies in understanding Fred again..'s new way of making modern music, where real-life recordings become the foundation for dance tracks that connect with people's feelings that connect with millions worldwide.
Fred Gibson, known professionally as Fred again.., has changed electronic music by creating tracks that feel both intimate and anthemic. His Grammy-winning album "Actual Life 3" (Best Dance/Electronic Album) and Grammy-winning single "Rumble" (with Skrillex and Flowdan, Best Dance/Electronic Recording) showcase a production style that connects personal stories with dance music excitement.
The British producer's signature sound emerges from his special way of using samples. Instead of using normal sample collections, Fred again.. samples from everyday moments - voice notes from friends, TikTok videos, FaceTime calls, and Instagram posts. This approach creates music that feels real and full of emotion, with each track telling a personal story while maintaining club-ready energy.
What sets Fred apart in the electronic music landscape is his ability to mix clean production with rough, natural sounds. His tracks maintain professional polish while preserving the imperfections that give them character. This careful mixing has gotten him noticed as one of the most innovative producers in today's electronic music.
Fred again..'s production setup centers around Apple Logic Pro, a DAW he's used since age 16. Different from many electronic music makers who like Ableton Live, Fred stays with Logic because of his early learning from Brian Eno, who also likes this program.
His studio thinking is about being able to work anywhere instead of staying in one studio. "I'm like an anti-studio guy," Fred explains. His setup emphasizes mobility and includes portable equipment for his workflow.
Equipment helps out in Fred's production process. His collection includes the Native Instruments Maschine Plus, Akai MPC Live II, and various controllers like the Akai Professional APC40 MKII. However, the core of his sound comes from Logic's stock plugins, particularly the Silver Compressor, which he uses a lot for his signature pumping effect.
This laptop-focused way of working allows Fred to create anywhere, showing his way of thinking: "If you're bored of laptop, you're bored of life." This being able to move around lets him record ideas right when they happen, whether he's at home, in a traditional studio, or traveling.
The most important part of Fred again..'s music making style lies in his new way of working with vocal samples. His "Actual Life" series shows how personal recordings can become the emotional core of electronic music.
Most tracks have with a real moment - a friend's voice note, a random TikTok video, or a snippet from an Instagram story. For "Mustafa (time to move you)," Fred sampled Mustafa the Poet's Instagram post, while "Nathan (still breathing)" uses a TikTok video he discovered while scrolling.
This approach turns boring digital moments into great music, creating tracks that resonate because they catch real human moments. The technical process involves smart vocal cutting and changing. Use your DAW to slice vocals into rhythmically interesting pieces, trying out pitch changes and time stretching, and effects like reverb and delay.
Fred's approach favors granular synthesis and field recordings, often processed to achieve his signature gritty, authentic texture. Processing techniques include adding vinyl noise and pitch modulation to create that lo-fi feeling that makes everything sound more emotional and real.
The key is maintaining the human element while transforming it into something musically compelling. Fred's favorite microphone is the one built into his iPhone, caring more about being real than being perfect.
Fred again..'s arrangements follow a simple but smart way. His tracks use fewer chords and chord changes than typical pop hits, making them easy to understand while keeping deep feelings. This simple chords are made up for with complicated layers of atmospheric elements and vocal samples.
Track structure typically follows a three-act arrangement: an emotional vocal introduction, a building middle section with increasing energy, and a big drop that lets out all the built-up energy.
The key lies in clear build-ups and drops that create tension before releasing into memorable hooks. Each section serves the emotional story while still working on the dance floor. Beat construction remains minimal but tight, often starting with just kick, snare, and hi-hats.
Fred's kick programming is notably unorthodox - in tracks like "Kammy (like i do)," the kick patterns avoid normal four-beat patterns while maintaining groove. Velocity programming and multiple percussion layers add depth without overwhelming the mix.
Atmospheric elements provide the glue that holds everything together. Field recordings, ambient noise, and subtle synths create immersive soundscapes. These layers might include street sounds, nature recordings, or room tone that adds context and emotion to the electronic elements.
Fred again..'s sound making ideas focus on creating emotional feelings rather than showing off technique. His bass synthesis combines acid-style sounds with warm, natural tones, often achieved using soft synths.
Lead sounds frequently incorporate brass and flute nuances, synthesized using sawtooth waves with carefully programmed volume envelopes. Attack times typically range from 100-200 milliseconds, creating the breathing feeling that makes his main sounds feel human rather than mechanical. Short release times maintain punch while allowing for expressive playing.
Sidechain compression creates his signature "pumping" effect, making room for the kick drum while adding beat movement to long-held sounds. This technique, applied liberally across pads, leads, and even vocal samples, creates the moving energy that pushes his songs forward.
Effects processing emphasizes character over clarity. Rather than perfect cleanliness, Fred prefers sounds that feel used and real. Reverb and delay effects add space and movement, while distortion and saturation plugins give warmth and roughness. The goal is creating sounds that feel both professional and human.
Fred again..'s production style represents a big change in electronic music, proving that authenticity and emotional connection can work together with great technique. His approach turns normal things into amazing things, using everyday recordings as the foundation for tracks that move both hearts and feet.
The key to recreating his signature sound lies not in expensive equipment or complex techniques, but in knowing how to catch human feelings through music. Whether you're chopping vocal samples in Logic Pro, programming unusual kick drum patterns, or layering atmospheric elements, remember that the emotion behind the track drives everything else.
Seeing the huge response of our hit FRED.. Series we knew we had to create the ultimate Fred again.. collection.
This collection sets out to capture Fred again’s core sound in a more comprehensive package.
Inside you’ll find Serum Presets for v1 & v2, Construction Kits with Stems, Loops, Samples and MIDI included. We're including the Deluxe Versions. This adds Ableton Sessions on top of everything.












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FRED.. Play It Again
$
64

FRED.. Play It Again 2
$
64

Friends
$
64

UK Garage
$
24

Lights
$
24

FRED.. Starter Pack
$
7

Future Bounce 2
$
32

Future House for Serum
$
32

Deep House II
$
32
I produce a lot of genres ranging from House, to Dubstep, to Trap. I recently got into Future Bass because of this pack. It is the best pack I have ever bought across all genres! The value is insane and the quality is top notch. I definitely recommend it to everyone. I love it! – Austin W.
Verified Buyer Review for Future Bass for SerumA great collection of sounds, really inspiring to use and worth every penny. – Ben C.
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